Allegretto – The last movement begins with a Shostakovian dance tune, a theme that has the feeling of Jewish folk music, first heard in the pizzicati violin, and then in the piano while both strings play pizzicato. The music remains slow and mournful throughout the movement, and ends with a quiet whimper from the strings. This music is in the form of a chaconne, a set of variations over a ground bass played by the piano. The cello enters and sings the lament as the violin plays a counter melody. The violin enters with a sad theme as the piano chords continue to plod underneath. Largo – The piano begins the movement with heavy chords. The music never settles into anything more than a frenzied dance, and soon ends. Allegro con brio – The scherzo has Shostakovich sarcastically thumbing his nose as notes are repeated and tossed back and forth between the three instruments. Part of the fugue theme is incorporated into the first theme of the movement proper. The violin enters, and the piano enters as all three instruments participate in a fugue that acts as an introduction to the rest of the movement. Andante – The work begins with the solo cello playing a theme in high harmonics. Shostakovich had come to international attention with the writing of his 7th Symphony earlier in the war, and as the 7th Symphony has been called a requiem for the 25 million Russians who perished in the war, the 2nd Piano Trio can also be thought of as a requiem this time for his good friend Ivan Sollertinsky, a critic and musicologist that suddenly died of a heart attack. Dmitri Shostakovich wrote his 2nd Piano Trio in 1944 during World War Two when he was 38 years old.
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